Synth Legends new releases? Fraud?
5 Oct 2015, 13:46Hello all. Sometimes I spend a considerable amount of time reading how people complain about the lack of an editor, and lack of Roland's online presence in a time in which everything is demanded to be online and automatic. I partially agree with that. I really don't know why Roland still does not release an editor that makes Axial's sounds usable; hose sounds are almost useless, unless you employ a lot of time organizing the whole thing (supposedly I should employ my time playing the instrument and not working in the organization of its sounds). I don't understand neither why we don't have a better Ipad editor which could be useful for editing other things such as effects, complete registrations, etc. More controversial: I don't understand why we don't have something such as a PG200 in order to have the hands on control the Jupiters are begging for (I partially solved this with an Octatrack, which literally changed the instrument and the way I approach to sound editing, even through ADSR, reverb and blender; launching something like a PG would boost JP sales even today, believe me). But the other side of these complaints is that I bought the instrument as it was by the time it was released. Again: one can think that nowadays companies address customers feedback sooner or later, and I do not like Roland's silence but I cannot complaint as not having something I was not promised to have. At best, I will consider Roland's downsides on these issues for future buyings, ending up my loyalty to the brand.
HOWEVER, I do consider I was fooled on something that indeed was promised to me: future releases of Synth Legends. By the moment I bought my JP there was no Axial website yet. Only Synth Legends "Vol 1" had been released, and I reasonably though that we were going to receive future releases. The mere "Vol. 1" reference made me (and I believe, many others), that we were going to receive at least a "Vol. 2". And this was in fact something that I considered by the moment of jumping up from an XP 60 (which I still have) to the JP. The idea was to have a frequently updated instrument, a "living" machine, in a moment of our times in which machines change and are only the box that hold "living content". In other words: additional content on NEW synth tones was promised to me and that was something I reasonably took for granted at the moment of buying the JP.
But Roland did not fulfill it.
It is also important to remember that Axial website does not compensate this, as all those "collections" are only existing tones tweked in different ways to result in registrations, but no synth tones were released. Even more: as stated before, those Registrations are useless without librarian.
If we go to the booklet launched with Synth Legends release, it says: "Synth Legends Collection Volume 1, the initial release in the series, features the sounds of seven of Roland’s most revered synthesizers, including the original JUPITER-8, the JUNO-106, D-50, and others. Future volumes will include other sought-after analog classics".
"The initial release in the series..." only stresses out that said on "Vol. 1". I was induced to think and believe further releases would come up, but nothing happened. Three years after: nothing.
This is a real shame. Even more because the JP sounds GREAT; at these prices, they would be much more attractive to anyone (not to think if something as a PG200 would come up).
Summary: I don't think this is only a matter of brands strategies (more online presence from Korg, less from Roland, etc.). It's a matter of fulfilling someone's word. I doubt I would turn to Korg because of this (I don't like how they build things, at all, despite their online presence), but I do consider going to other fields such as Elektron, DSI, etc., I would not have considered if this had not happened. In fact, I already did it. I have been playing Roland's instruments since I was 13, now I am 40. I feel missconducted (at least) by Roland, and this is not a usual feeling for me.
Are we before a legal claim? What do you guys think?
Regards,
Mahobe.
HOWEVER, I do consider I was fooled on something that indeed was promised to me: future releases of Synth Legends. By the moment I bought my JP there was no Axial website yet. Only Synth Legends "Vol 1" had been released, and I reasonably though that we were going to receive future releases. The mere "Vol. 1" reference made me (and I believe, many others), that we were going to receive at least a "Vol. 2". And this was in fact something that I considered by the moment of jumping up from an XP 60 (which I still have) to the JP. The idea was to have a frequently updated instrument, a "living" machine, in a moment of our times in which machines change and are only the box that hold "living content". In other words: additional content on NEW synth tones was promised to me and that was something I reasonably took for granted at the moment of buying the JP.
But Roland did not fulfill it.
It is also important to remember that Axial website does not compensate this, as all those "collections" are only existing tones tweked in different ways to result in registrations, but no synth tones were released. Even more: as stated before, those Registrations are useless without librarian.
If we go to the booklet launched with Synth Legends release, it says: "Synth Legends Collection Volume 1, the initial release in the series, features the sounds of seven of Roland’s most revered synthesizers, including the original JUPITER-8, the JUNO-106, D-50, and others. Future volumes will include other sought-after analog classics".
"The initial release in the series..." only stresses out that said on "Vol. 1". I was induced to think and believe further releases would come up, but nothing happened. Three years after: nothing.
This is a real shame. Even more because the JP sounds GREAT; at these prices, they would be much more attractive to anyone (not to think if something as a PG200 would come up).
Summary: I don't think this is only a matter of brands strategies (more online presence from Korg, less from Roland, etc.). It's a matter of fulfilling someone's word. I doubt I would turn to Korg because of this (I don't like how they build things, at all, despite their online presence), but I do consider going to other fields such as Elektron, DSI, etc., I would not have considered if this had not happened. In fact, I already did it. I have been playing Roland's instruments since I was 13, now I am 40. I feel missconducted (at least) by Roland, and this is not a usual feeling for me.
Are we before a legal claim? What do you guys think?
Regards,
Mahobe.