Appreciating Fantom G
24 Jan 2012, 06:12Hi All,
Having come to the G party so late in the day all of one week with my Fantom, I just want to point out some of my findings regarding it.
So, I have a Yamaha Motif XF and besides being mostly happy with it I found I could never get a Rhodes sound I was happy with. I spent a bit of money on third party sound libraries and although some were good they never really gave me what I was looking for. So I decided to try out some other boards in search of a decent rhodes sound. I won't go into the details but I tried Nord, Korg and Roland and now feel that for my needs the Rhodes is fantastic from the Fantom. Don't get me wrong its not perfect but on the whole its clear after only a few days the Fantom G will be much more flexible in my studio than any of the others.
I just want to point out that its easy to forget what originally made you spend your hard earned on the G with all the seemingly newer/better goings on at Yamaha and Korg!
Here's a thought. In the late eighties three keyboards were seen as the must have 'industry standards" in the studio
You may remember what they where? I guess nothing has changed in that regard.
Enjoy
Having come to the G party so late in the day all of one week with my Fantom, I just want to point out some of my findings regarding it.
So, I have a Yamaha Motif XF and besides being mostly happy with it I found I could never get a Rhodes sound I was happy with. I spent a bit of money on third party sound libraries and although some were good they never really gave me what I was looking for. So I decided to try out some other boards in search of a decent rhodes sound. I won't go into the details but I tried Nord, Korg and Roland and now feel that for my needs the Rhodes is fantastic from the Fantom. Don't get me wrong its not perfect but on the whole its clear after only a few days the Fantom G will be much more flexible in my studio than any of the others.
I just want to point out that its easy to forget what originally made you spend your hard earned on the G with all the seemingly newer/better goings on at Yamaha and Korg!
Here's a thought. In the late eighties three keyboards were seen as the must have 'industry standards" in the studio
You may remember what they where? I guess nothing has changed in that regard.
Enjoy