Genesis' Mama on two Roland Fantom Xs, synced via MMC. The X8's sequencer plays the Linn and acoustic drums, bass guitar and bass drone. The MMC keeps the X7's square LFO in sync for the pulsating chords, which are played live. I have an empty sequence running in sync on the X7 just so that I can see the bar/beat numbers and therefore know where I am in the song. The koto lead is a heavily edited short-decay harp patch sampled years ago from my lamented DX7. I created the other three patches from internal wave forms. Fade-ins are automated.

https://youtu.be/XXTv5wcCl_0